Prose

Keenjhar Lake

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Hasham Masood, M.B.B.S., Batch XVIII.jpgGharo, Sindh, Pakistan. PHOTO CREDITS: HASHAM MASOOD, M.B.B.S., BATCH XVIII

BY: SHAHZEB NAJAM, M.B.B.S., BATCH XVIII

If you sail far enough into the blue waters of Keenjhar Lake, you’ll see a small, stone structure rising up out of the waves. You disembark onto weather-beaten steps and climb up to a white, circular platform and in the centre, in eternal solitude, lie the graves of an ancient king and an ancient queen. You say a small prayer for the royal lovers — for all lovers, in all epochs, and for those who loved too much. Before you leave, your gaze lingers a moment longer on the setting sun and the wind-ruffled waters and you wonder why it feels like you’ve left something of yourself behind there with Noori and with Jam Tamachi and their thousand sunsets. Soon, the stars will rise. And I shall think of you.

About the author: Shahzeb…

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Poetry

Byronic heroes are people, too

For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have rest.

Lord Byron, So, we’ll go no more a roving

All these books in my library — lives lived

out, words spent, atria emptied of their 

blood. I see them and realise that I do not

have much time. But, like all the rest, I am

bound in webs of responsibility and class

and aspiration. A small cottage by the beach

with a well-stocked library and a fire in the

hearth where we could spend our evenings 

before the dark descends. And, perhaps, 

there is where I’ll have the time to ponder over

the mysteries of the Sufis. Why do the stars

call me so? Why does the sea, why do old

houses, and old books, and saudade call me so?

The dreams of another life… almost

forgotten… breaking on the shores of my

heart, and I… I frantic, searching among the 

ruins and the driftwood for a compass to guide 

me home. Home? The place I yearn for when I 

hear someone playing A minor softly, clear as 

a bell, through the sweet, sad sounds of static 

on old radios. In a short time, this will be a 

long, long time ago…

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Poetry

some nights, i

some nights the wind whistles

through the old lighthouse and

in the town below the mothers

tuck in their children and close

their shutters and watch their

fires till dawn.

 

some nights you tell me stories

of the village graveyard with the

night watchman and the magic

stick whose tip-taps are the

measure of the night.

 

some nights the stars are so close

that you forget. i dream of old

souls haunting the highways of

the heartland. this late, love,

the night belongs to students

and the stars.

 

some nights i hear a piano; two

notes hesitant in the dark. your

name is now a stranger on my

lips. how could it come to this?

how could it come to this?

 

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Poetry

One hundred years of solitude and all I got was this lousy t-shirt

Why do you love lighthouses
she said
what’s with all those maps of distant islands
she said
and those other ones of the stars.
I don’t know
he said
maybe
he said
maybe
I miss somewhere
he said
somewhen
he said
maybe that’s how nostalgia was born.
Adam’s lament for home and we
his children.

O, Majnun!
they said
why do you sift the desert sands
they said
you will not find Layla there.
And Majnun said:
I search for her
everywhere
in the hopes of finding her
somewhere.

In this age of starships and relativity
as we journey out into the dark
we should not be surprised if
on another world
our ships land on other shores and
beneath alien suns
we find our old friend Majnun
sifting through those alien sands
ever-searching
ever-seeking
his belov’d.

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Prose

They have not lit the lamp at the other farm yet / and all at once I feel lonely 

If there is only enough time in the final

minutes of the 20th century for one last dance

I would like to be dancing it slowly with you,

say, in the ballroom of a seaside hotel.

My palm would press into the small of your back

as the past hundred years collapsed into a pile

of mirrors or buttons or frivolous shoes,

just as the floor of the 19th century gave way

and disappeared in a red cloud of brick dust.

There will be no time to order another drink

or worry about what was never said,

not with the orchestra sliding into the sea

and all our attention devoted to humming

whatever it was they were playing.

Billy Collins, Dancing Towards Bethlehem

I WENT to my grandfather’s grave today. It’s high up on the side of a hill and to reach it you drive up through secluded streets shaded by large trees and there, between two houses, is a tiny blink-and-you’ll-miss-it lane. It’s so narrow that even if you’re small, you can reach out really, really far and touch the dusty whitewashed walls on either side. 

As you emerge from the lane you find yourself at the top of a hill, all of Karachi spread out before you; below you grave after grave until your gaze rests at the foot of the hill. That’s a hell of a view, you think, this is a good a place as any to be buried. And imagine what it must look like at night with all those city-lights sparkling under the stars. 

You pass headstones and shaded tombs and carefully step over mounds — some so heartbreakingly small that you don’t want to think. All of them carry a story. 

PROF SURGEON H. M. SIDDIQUI says one. 

EAT WELL, DIE YOUNG, AND HAVE A GOOD LOOKING CORPSE says another. 

One of the smaller ones has a red bicycle with black handlebars carved carefully into the marble. Underneath, in small, neat letters it says LOVING SON RASHID YOUR GIFT CYCLE. 2000-2009. 

There’s a small staircase that leads down to my Nana’s grave. And there’s a small, white marble bench at the foot of it for visitors. The caretaker comes and washes the grave and then I lay the rose petals on it and say a small prayer. As the caretaker leaves, he tells me how my grandmother came just yesterday. She’s here most days, he says. Sits just there, on the bench, till sunset. He walks away up the staircase. 

And now I have to sit because my vision is blurry and my legs feel strange and I can smell the rose petals on the sea breeze. And I think of her, sitting here all alone, day in day out, even though it’s been three years, sitting on that bench that looks over Karachi and the grave of the man who spent his whole life with her and I wonder at a loneliness I can not begin to imagine. 

At the end of his book Contact, astronomer Carl Sagan writes that for small creatures such as we the infinities of the cosmos are made bearable only through love. We need the enveloping arms of those we love, ready to catch us when we grow dizzy from contemplating eternity. 

And as I lie here on the roof watching Sirius twinkle across the vastness of space and the immensity of time, I realise he knows what the hell he’s talking about. 
  

“The flowers did show us spring for a while / yet I long for the flowers that never bloomed at all.”

— Translation by my old friend, Yousuf Mehmood.

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Prose

The Quiet Saudade of Video Games

A city child, down for the summer.

When suddenly he walked into

the twelve-foot wall of corn.

Leaving the dogs. Firelight

on the barn. The smell of Carolina.

The stars making me lurch.

Thirty years ago…

Jack Gilbert, Another Grandfather

SO THERE’S this game. Firewatch. The game is you by your lonesome in a lookout tower, deep in the woods of some heartland American state. Now just imagine that. The woods stretch away on every side, far as the eye can see. You have your little tower and you watch the sun set and rise and if you listen close you can hear the sound of a stream a little way away and the crickets and birds chirping in the forest. Your walkie-talkie buzzes every once in a while and you can talk or not talk and it just adds to the solitude like hearing a piano note hesitant in the dark, late into the night. I don’t know. The idea of that. There’s something to it. To these games that speak of solitude and the quiet exploration of weathered lighthouses on windswept islands (The Sailor’s Dream) or haunting backcountry woods (Firewatch) or even a vast, lonely universe and you in your little spaceship, alone amidst the stars (No Man’s Sky). It’s like they’re a Sufi journey into one of Attar’s seven valleys.

A while back there was this movie about a guy who’s a 9/11 survivor and he’s got PTSD and to cope he plays Shadow of the Colossus, a game where there’s just you and your faithful horse and the deserted ruins of an ancient Babylon.

Then there was Far Cry 4 and, don’t get me wrong, it was nice and all hearing Urdu gaalis in a video game but the best bit is making your way up the Himalayas and pushing through the snow covered trees until you spy the little stone path cut into the the mountain that leads up, higher, higher, and you follow it and it opens onto a little terrace on the side of the great mountains and a small sign by the path says it’s your ancestral homestead and there’s a little wooden house and a well and some goats and a small garden that ends at the edge of a steep drop and you stand there, all of Kyrat spread out before you. It’s home, you know?

Even No Man’s Sky is an aspirin for when you’re star-drunk from staring at the night sky too long and can’t breathe because there’s not much time left and there’s a universe to explore and you don’t have a starship by your side and you never will and you realise, then, that it’s taken so long for the light to reach you from those stars that they’re probably dead and buried on those alien, alien worlds and all you can do now is watch them and realise that that’s why they say ‘a long time ago in a galaxy far, far away’…

I’ll probably never play all these games anyway and I guess that’s for the best. This way I’m free to project my own saudade onto them. Truth is, they’d never be as good as my dreams.

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Poetry

There Was Something There, In That

There was something there, in that, 

he said. In that night on the roof 

with the meat glistening golden as 

it turned above the great fires. And 

how we tore into the soft meat and 

sat back from the carnage; satisfied, 

spent. There was something there, in 

that, he said. In that walk, too, 

through the dusty park to the dhaba 

and the warm cups of milky tea. And 

how we took the long way home. 

Afterwards, I started up the car and 

we drove back there again. There were 

no stars that night and the dhaba was 

closed. But in the alley between, a 

man quietly fried parathas by the light 

of a little flame. And though it wasn’t 

that, there was something there, in that, 

too.

  

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Poetry

Thalassa 

For Prof. Dr. M. N. Shabbir, F.R.C.S.(Ed.)

A small clinic by the sea. Fans whir

lazily against the hot Karachi summer.

Most of the fishermen are here out of

curiosity. One day, yes, they will build

me a model ship with the lights and the

little toy soldiers holding their little

green flags just as they once did for

my father. The sun sets, then, and we

close up for the day and lay down our

two red steths. We sit on the roof, yes,

with our warm cups of doodh-patti and

talk of Attar and his thirty birds. And

it is like being alive twice. Meanwhile,

yes, the old, old stars rise over the old,

old seas.

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Poetry

Haunted

As darkness falls 

the heart yearns for something known

once

now gone forever. 

Old memories of 

old, old friends 

and 

old, old loves

now gone forever. 

And something else, too — 

they’d meet every night

the whole gang

at the haunted house at the end of lane.

They did that for five summers straight

drunk on summer wine

and the summer night

and being fifteen in that city by the sea

until one day 

someone bought the haunted house at the end of the lane.

They all just sort of stood there for a while 

watching the stars shine above the new wall and the new gate. 

He was the last one to leave.

When the others asked him

later

he did not tell them of seeing Chronos 

a-sitting on the gate

or of Thanos

wheeling in the star-studded sky. 

He only smiled and

shook his head and

put his arms about them.

They walked off towards Alamgir

and the man who sold French fries by the side of the road. 

Behind them, the lane grew dim  

and lost its magic — 

until the next time. 

  

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Poetry

El Dorado

There are days like these

she says,

and there are days like that.

Days where the ink-and-paper lighthouses you’ve built

sing songs of El Dorado

and all you can do is

listen and learn

hurt and yearn.

Late into the night

our legs dangle over city-streets

watching city-lights

and the aeroplanes

always the aeroplanes.

We hear the sweet sad songs of anonymous traffic

travelling – forever travelling –

on roads that do not stop

by the little, dusty towns

but speed on – forever on –

toward tomorrow.

They put up new floodlights at Hill Park over the weekend

and there are new stars in the sky

winter’s over

they say,

while I shiver from the cold.

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(Kazuo Ishiguro, ‘Nocturnes’)

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