Tag Archives: Pakistan

Poetry

Icarus

It’s only ghosts here in the winter.

BoJack Horseman

When you’re in love all this

“life” stuff feels like a play —

a game; a dream. And when

you’re not, it’s not. That’s just

how it works. Nights like these

I feel like I’ve forgotten how to

dream. I used to dream of flying.

I miss the wind in my hair, the

sun on my face. But most of

all, I miss your sighs; how the

longing in them would rise up —

up through the zephyrs and comets —

dissolving into stardust that just

might, with a bit of luck, power

the universe for an-

other heart-

beat.

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On the sweet sounds of static on old radios

Time was a string of knots, a spiked wheel,

a seam that you could split and heal—

As a boy, reclining on horsehair

one morning on a train,

you watched the countryside,

a single light-filled frame

in which lives flickered, drawn forward

like a train along a track; you saw yourself,

suspended in a fractured, endless motion,

going, never going back.

Lauren Wilcox, The Moving-Picture Principle,The Paris Review, Summer 2004

AND then there was that band that had that song called the Loving Sounds of Static. Before then, I’d never thought of static as something that could be loving; beautiful, even.

And then I learnt the only thing I remember from high-school physics: that 2% of the static you hear on old radios as you turn the dial from station to station at sunset is primordial waves — remnants of the Big Bang destined to course forever more through the lonely spaces between the stars and I feel a bit strange knowing that, don’t you?

And the band was called Möbius Band and a Möbius strip is a band, too — not the musical kind — but kinda like the one you wear around your wrist except it has a twist in it so you can visit both sides — inside, outside — without lifting your finger.

And Arthur C. Clarke once wrote, famously, about the bittersweet songs of distant earth but he also wrote about a wall of darkness at the edge of an alien universe and I remember reading it twice in one go and wondering at the magic of it all, and wanting to be a writer, and that was about a Möbius strip, too.

And since then, that’s what I think of whenever I hear static on old radios: sci-fi and interstellar origins and whatever it is that lies just beyond the border of everything. But more and more, now, I think of those quiet evenings spent endlessly tracing a finger along the continuous surface of a band worn, once upon a time, by you.

 

 

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Prose

Sohni

This post was also published here, on the Ziauddin University Atlas Blog.

Man’s heart a river be

deeper in depth than the unfathomable oceans,

Ah! Who knows the wailing of the heart

in search of its Lord?

Sultan Bahu, d. 1691, (translated from the Punjabi by Sayed Akhlaque Husain Tauhidi)

THERE is a stubborn Sohni in my soul who longs to cross the Chenab of two worlds to reach her beloved, Mahiwal. I refuse. She persists. I patiently explain how fragile my ghaṛiya; how vast—how turbulent—the waters. It is but a simple thing fashioned of simple, unbaked clay: how dare it aspire—ad astra—to the stars? She smiles at me and slowly shakes her lovely head. 

A marvellous thing: as we watch the shoreline recede behind us—and the waters swirl higher, ever higher—my turbid heart settles for the first time since I was a boy of twelve and found that battered old copy of the Conference of the Birds and learnt of love and Love. 

And together, my Sohni and I watch as our Mahiwal appears on the distant bank and dives into the waves and strikes out for our simple, fragile, star-seeking, little ghaṛiya.

(Still from the music video of Coke Studio’s “Paar Chanaan De” (Across the Chenab) by Noori ft. Shilpa Rao.)

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Dear Baba

Dear Baba,

A million years ago — as they sat by their little campfire — a father pointed out the constellations to his son. And the infinite night sky didn’t seem as intimidating anymore.

It’s the stories we grow up with that whisper the loudest within our hearts; they are the framework for our dreams; they pulse with the rhythm of our short, bright lives.

Thank you for giving me the stories that have made me who I am today. (Here is one of them.) Stories of social justice and dignity and equality. Stories of a divine love that is greater than the stars. And stories of who I was, who I am, and who I will be.

They are stories that will last a lifetime and I shall never tire of telling them.

Love you, forever and always.

Your son,

Shahzéb

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Poetry

Searching for it

Ye masāil-e-tasavvuf

These matters of mysticism

Ye tirā bayān ‘ġhālib’

These discourses of yours, Ghalib

Tujhe ham valī samajhte

We’d judge you a saint

Jo na bāda-ḳhvār hotā 

If you weren’t an alcoholic

Ghalib, Ye na thi hamari qismat ki visal-e-yar hota (It just wasn’t my kismet to meet my lover)

searching for it at night

searching for it in brothels

searching for it in bottles of Murree’s finest on cold winter evenings

searching for it on walks through the city

walking.

walking through the humid streets of your childhood

by the park where you first kissed her

behind the queen-of-the-nights;

you will ask for them on your deathbed

to your tired, ravaged mind they will only be

a memory 

of something you knew, once,

so well

almost 

got it

almost there

almost.

 

walking.

walking through the graveyard

where your grandfather lies

and his father

and his father before him

and you, too, someday

(if you like)

under the big banyan tree

that your grandmother told you was haunted

by a family of djinn

and you’d search for them during the hot afternoons

for three whole summers;

they say every love story is a ghost story

and if that’s true

then

who will you love?

who will you haunt?

 

walking,

forever walking.

to the mosque by the sea

where you found God one day

found him on the sea breeze

that came in through the broken windowpane

of that poor fishermen’s mosque

and kissed you on the forehead as you knelt 

and you kneel again

please, you say,

please, please.

but there is no breeze tonight

so you sit there

cross-legged on the dusty woven mat

and look through another broken windowpane

at the rising sun

and the fishermen as they row in

from nights spent

searching, searching

on the dark waters

and you see the morning star

and you see the Ursids flash by

and something flutters in your heart, then

and you are alright, then;

what a strange thing you are,

Man’s heart

what a strange, strange thing you are.

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Prose

Amor / Addiction

a photograph is all that lasts long

with glory years and quiet fears gone

when summer days are far away

you can dream of skies and lover’s eyes

blue

Shoecraft, Eyes, Blue 

OF all the addictions that may plague a man, an addiction to love is the trickiest addiction to have. This is due to the singular fact that one can not buy love in the marketplace. If one could, that would be another matter entirely and we would not be having this conversation for I would be in the marketplace but we are, and I’m not, for it is — truly, insufferably — priceless.

Its effects are astounding. It can take a boy of fifteen — a promising young lad with a first-rate mind and sound disposition — and render him anaesthetised to worldly pursuits. The worlds of commerce and politics and sport are forever more left grey and drab to him. The gold stars of society no longer mean anything to him. He has glimpsed a world drenched in colour and he can not thrive without it. Over the years, he secretly feeds his addiction with scraps of poetry and ancient Persian treatises on Sufism. He devours literature with an unslakable thirst, searching, ever searching. He sees something he can not articulate in the way the sun sets behind lonely apartment complexes. Something beckons to him on the sea breeze as it blows through banyans in the hot afternoons. And something tightens in his chest every night as he watches the rising of the stars from the roof of his ancestral home. Everything he writes ends the same way: smeared with the half-remembered colours of forgotten love. Like waking from a dream and scrambling to put it all down before it’s lost to the aether; knowing it’s going, knowing it’s gone, knowing even as you begin to write that it’s useless and yet still grasping for another fix, you addict, happy in your addiction, wouldn’t trade it for the world because you’d rather your half-remembered colour than the grey, grey, grey of everyone and everything else…

There is a boy or a girl a thousand years hence on another planet who is reading all this, feeling all this. Here, Earth is merely a byword for an unspeakable nostalgia. I write to you — future-boy, future-girl — from your ancestral home. The colours are real. They exist. There is only one way to find them and there always has been. Good luck. Godspeed.

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Keenjhar Lake

The Ziauddin University Atlas Blog

Hasham Masood, M.B.B.S., Batch XVIII.jpgGharo, Sindh, Pakistan. PHOTO CREDITS: HASHAM MASOOD, M.B.B.S., BATCH XVIII

BY: SHAHZEB NAJAM, M.B.B.S., BATCH XVIII

If you sail far enough into the blue waters of Keenjhar Lake, you’ll see a small, stone structure rising up out of the waves. You disembark onto weather-beaten steps and climb up to a white, circular platform and in the centre, in eternal solitude, lie the graves of an ancient king and an ancient queen. You say a small prayer for the royal lovers — for all lovers, in all epochs, and for those who loved too much. Before you leave, your gaze lingers a moment longer on the setting sun and the wind-ruffled waters and you wonder why it feels like you’ve left something of yourself behind there with Noori and with Jam Tamachi and their thousand sunsets. Soon, the stars will rise. And I shall think of you.

About the author: Shahzeb…

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Poetry

Byronic heroes are people, too

For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have rest.

Lord Byron, So, we’ll go no more a roving

All these books in my library — lives lived

out, words spent, atria emptied of their 

blood. I see them and realise that I do not

have much time. But, like all the rest, I am

bound in webs of responsibility and class

and aspiration. A small cottage by the beach

with a well-stocked library and a fire in the

hearth where we could spend our evenings 

before the dark descends. And, perhaps, 

there is where I’ll have the time to ponder over

the mysteries of the Sufis. Why do the stars

call me so? Why does the sea, why do old

houses, and old books, and saudade call me so?

The dreams of another life… almost

forgotten… breaking on the shores of my

heart, and I… I frantic, searching among the 

ruins and the driftwood for a compass to guide 

me home. Home? The place I yearn for when I 

hear someone playing A minor softly, clear as 

a bell, through the sweet, sad sounds of static 

on old radios. In a short time, this will be a 

long, long time ago…

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Poetry

There Was Something There, In That

There was something there, in that, 

he said. In that night on the roof 

with the meat glistening golden as 

it turned above the great fires. And 

how we tore into the soft meat and 

sat back from the carnage; satisfied, 

spent. There was something there, in 

that, he said. In that walk, too, 

through the dusty park to the dhaba 

and the warm cups of milky tea. And 

how we took the long way home. 

Afterwards, I started up the car and 

we drove back there again. There were 

no stars that night and the dhaba was 

closed. But in the alley between, a 

man quietly fried parathas by the light 

of a little flame. And though it wasn’t 

that, there was something there, in that, 

too.

  

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