Prose

Time Is Dancing

hold it in

now let’s go dancing

I do believe

we’re only passing through

Ben HowardTime Is Dancing

THAT summer we were in the ED together. Patients poured in until every room, every wall, every hallway was packed. But it was good. We worked hard through the hot days, ministering to the masses, until every cough, every fever, every errant heartbeat was beaten into submission. We were young; we thought we could cure the world. And, often, we did. It was that kind of summer.

There were more of us there, of course, but, for me, there was only her. After work, she’d invite me back to her place, just a couple of floors down from mine. We were poor residents, living in the broken mid-century monstrosity across from the hospital in Uptown. We wouldn’t even change, just sprawl onto her IKEA couch in our filthy scrubs, nursing our battered bodies on each other. We never kissed; it was more intimate than that. We held each other, softly, fiercely, breathing in sweat and last night’s shampoo and shards of our souls. Or whatever was left of them after a year of emergency medicine. We watched movies together, too. Shitty ones. Always horror flicks, somehow. Arms wrapped around every inch of skin, hungry for something soft and warm after the beating we’d taken in the ED. Once, during a jump-scare, she gasped, and bit into my arm. But we never talked about it afterwards. Not to each other, or to anyone else.

We were friends — good ones, even — laughing at our own insular jokes, catching each other’s eye and, always, always, finding reasons to brush, caress, stroke any inch of skin. She was small and soft and smelt of spices I’d never heard of. When she grasped my forearm, her tiny fingers with their painted nails looked absurdly small, absurdly adorable. She’d always dig in, just a bit; never too hard, but hard enough that, later, I’d remember she’d been there.

The hospital was near Lake Michigan, on Lakeshore Drive. I could see the lake from my window. The hospital, too. And, of course, the crumbling detritus of Uptown. The first time I’d walked in, seeing all those city lights sprawled out across the night sky, it’d taken my breath away. And it still did. Sometimes, because we were poor residents, they’d make us do twenty-four hour shifts, trying to squeeze as much labor out of our young bodies as they could. When she had one of those, I’d sit on the ledge by the window before turning in for the night, breathing in all of it: the lake breeze, the endless, darkling waters, and the flashing lights of yet another ambulance on its way to the ED.

Whenever I was at her place, we’d eat with one spoon, taking turns to feed each other a bite of buttered rice, or vanilla ice cream, wiping the excess from the corners of each other’s lips. What the hell were we doing? It was beautiful, in a way. After caring for so many patients, I guess, we just needed someone to care for us. I’d only eat halal so she’d bring up a plate of whitefish from the cafeteria, making sure I had something for sustenance. It was strange, really, watching our sense of self enlarge, ever so slightly, to envelope each other until it was second nature. She’d always leave little hearts on the sign-out for me, right next to my name. Two of them: one larger than the other. Was it an echo, or an affirmation? All I know is that I’d look down at those scribbles on long shifts and feel the stirrings of something I thought was lost long ago.

One night, she held her hands out to me, shyly, and asked me to paint them. I did; a thick, pink coat first, then — once it dried — a second, shiny lacquer. They sparkled where they caught the light from the lamp by the open window. She had an old guitar — a hand-me-down acoustic — and I dusted it off and tuned it and played it late into the night; sometimes badly, but, sometimes, the stars aligned in the room and out across the dark Midwestern sky where the aurora danced with no one to watch them and all I could do was lay back with my head in her lap, the heat from her browned thighs burning, burning bright.

In a couple of years we’ll be done with residency and tossed across the vast expanse of America like a handful of seeds from the pockets of a dilettante farmer. What‘ll be left, then, of these long days and longer nights? Memories, their edges softened and sepia-ed by time, glitter in the starlight. I’ll leave you with one:

Soon after a large lightning storm passed on, out over the lake, you called. Let’s go for a walk, you said. Wear something nice, you said. We walked down to Montrose Harbor, arm in arm, and sat on the rocks, feet dangling in the water, watching the birds and the boats come home for the night. On our way back, past the thick woods, I asked if you’d ever seen a firefly. You looked up at me and shook your long, dark hair; no, never. I held your bare, sun-kissed shoulders and spun you around to the deep woods. Look, there. Just pick a spot; don’t try too hard. And you did. That night, jaan, you saw the fireflies. I saw you.

Summer begins in Chicago, IL (2022)

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Prose

Monsoons

for Papa — the paterfamilias

one by one

the old guard

passes on

and

oceans away

we grow old, too.

LONG before my grandfather was my grandfather, he was a boy who went to a large, colonial boarding school in the foothills of the Himalayas. At dawn, they would all wake, bleary-eyed, and run a couple of miles before showering and heading to the mess for breakfast. There were three kinds of meals prepared each morning — English, halal, and vegetarian — for the three kinds of students. When summer arrived, he would often go to stay at one friend’s or another’s, following a patchwork of brotherhood that stretched across India, linked by the efficient trains of the Raj and schoolyard camaraderie. But, sometimes, he would come home, and then he would spend his days bicycling through the streets of Bombay; through sheets of monsoon rain; through Partition itself; until time caught up to him.

Now he walks in the neighbourhood park in the late Karachi afternoons with the other old men until the sun sets.

But, sometimes, in his dreams, he is a boy again and it is warm and bright again and his mother is still in the kitchen, humming as she cooks, and he hears a shout from outside and he grabs his bike and runs out to meet the other kids and together they cycle through their beloved Bombay once more, a city that, finally, lives on in them, lives on until the very last one remembers it for the very last time.

***

This morning on the news they said the monsoons will begin soon.

Photograph by Shanzeh Najam.

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Poetry

Arcadia

Just for this evening, let’s not mock them.

At least they had ideas about love.

Mary Szybist, The Troubadours Etc.

heavy New England sunlight floods your apartment.

in the mornings after, your bed is too small for us both.

the only music — faint — from your old phone in the shower.

it’s always Sunday, somewhere.

contrails fade into clear, blue sky.

the porches of the nation creak beneath

bluejeans and familiar conversation.

faded pastel flags above the strip

mall flutter in the breeze.

and somehow I am in a scratchy grey sweater

a schoolboy in a long forgotten —

now urgently familiar — corridor.

it is winter yet I am not cold.

something burns within me:

it is the thought of meeting you.

but every step is time, time, time.

Heraclitus’ curse.

decades pass.

I grow estranged from my self.

the music grows louder.

the bathroom door opens.

what’s wrong?

you ask

why on earth are you shivering?

The Cloisters, Fort Tryon

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Poetry

Icarus

It’s only ghosts here in the winter.

BoJack Horseman

When you’re in love all this

“life” stuff feels like a play —

a game; a dream. And when

you’re not, it’s not. That’s just

how it works. Nights like these

I feel like I’ve forgotten how to

dream. I used to dream of flying.

I miss the wind in my hair, the

sun on my face. But most of

all, I miss your sighs; how the

longing in them would rise up —

up through the zephyrs and comets —

dissolving into stardust that just

might, with a bit of luck, power

the universe for an-

other heart-

beat.

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Prose

How I Discovered the Conference of the Birds

This post was first published here, on the Ziauddin University Atlas Blog.

WHEN I was a boy and still believed in magic, I would frequent book fairs searching for the first poem I fell in love with. Some books, with their glossy covers, promised so much… but they never could live up to those glistening promises. Others were dingy paperbacks, coming apart at the seams and, while they were alright for a slow Sunday, they weren’t much good for much else. And so it was that I found myself at yet another book fair, picking my way through the endless shelves, careful to avoid the stacks of solemn textbooks, hoping to find it – whatever it was.

And there it was.

There was just one copy, standing upright on a small, empty table. And the cover was purple. Why the hell is it purple? I thought. I picked it up. It was a hardcover; a slim little volume printed in a timeless serif typeface. It seemed to be divided into short anecdotes, punctuated with gorgeous brush drawings. “A gift for distinguished men and a boon for the common”, it claimed. Cool. I hoped it wasn’t too expensive: I had just a bit of pocket money left. I took it to the counter. One hundred and thirty rupees, please. I fished around in my pockets. A red note – yes! That’s a hundred rupees! And… a bunch of tens, too! One, two, three. Perfect! I had the exact amount. Poor but happy, I returned home to see if this purple thing was worth the last of my lucre.

In the coming years, after I had read and re-read and folded and scribbled and underlined my copy of the Conference into tatters, I would look back on those one hundred and thirty rupees as the best one hundred and thirty rupees I had ever spent.

Ostensibly, the Conference of the Birds is about a epic quest by a group of birds to find their king. They journey across mountains and valleys and seas. They journey through the many gilded cities and rural backwaters of love. It’s about love. And the yearning in your tired, aching heart, late into the night, when all your desires melt away, save one.

Look, either the Conference of the Birds is the best book you’ll ever read, or it’s not. Great things are polarising that way. Anything else I say beyond this point will just ruin it for you. There’s only one way to find out and there always has been. Read the damn book.

22426608_900311633466349_255448669048629774_o.jpg

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Prose

Dear Baba

Dear Baba,

A million years ago — as they sat by their little campfire — a father pointed out the constellations to his son. And the infinite night sky didn’t seem as intimidating anymore.

It’s the stories we grow up with that whisper the loudest within our hearts; they are the framework for our dreams; they pulse with the rhythm of our short, bright lives.

Thank you for giving me the stories that have made me who I am today. (Here is one of them.) Stories of social justice and dignity and equality. Stories of a divine love that is greater than the stars. And stories of who I was, who I am, and who I will be.

They are stories that will last a lifetime and I shall never tire of telling them.

Love you, forever and always.

Your son,

Shahzéb

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Prose

(Why I Love) the Nostalgia of the Infinite

Strangers leave us poems to tell of those

they loved, how the heart broke, to whisper

of the religion upstairs in the dark,

sometimes in the parlor amid blazing sunlight,

and under trees with rain coming down

in August on the bare, unaccustomed bodies.

Jack Gilbert, Relative Pitch

THE Nostalgia of the Infinite has been my favourite piece of art for as long as I can remember. 

I don’t know when I first saw it — perhaps it had something to do with the indie game, Ico — but none of that truly matters. What matters is this:

That there is a deep and yearning nostalgia within Man’s heart. He feels it flutter when he looks upon the endless sea. He feels it tighten when he gazes up at the beckoning stars. He feels it even when he is with the one he loves most in the world. 

The heart yearns to mingle itself with the object of its desire and it can not and so it yearns to be whole. It has yearned since the dawn of consciousness and it yearns still with each (lub dub) and every (lub dub) beat. 

For there was once a time when it was not so — the heart was whole and it knew no sorrow. But that time has long since passed and is but a half-remembered dream from a childhood siesta for ever ago. But men will do strange things to appease their half-remembered dreams. Alexander led his armies to the very edge of the world. Thousands died in the impenetrable rainforests of the Amazon searching for El Dorado. And in a town called Babylon, a man built the greatest tower ever built to look upon the Face of God. It has always been so. 

But look closer. 

There they are, in plain sight. 

(two)

And, as they lean closer in the empty piazza, for a moment, their shadows become…

(one)

Giorgio de Chirico, The Nostalgia of the Infinite (Paris, 1911)

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Prose

Amor / Addiction

a photograph is all that lasts long

with glory years and quiet fears gone

when summer days are far away

you can dream of skies and lover’s eyes

blue

Shoecraft, Eyes, Blue 

OF all the addictions that may plague a man, an addiction to love is the trickiest addiction to have. This is due to the singular fact that one can not buy love in the marketplace. If one could, that would be another matter entirely and we would not be having this conversation for I would be in the marketplace but we are, and I’m not, for it is — truly, insufferably — priceless.

Its effects are astounding. It can take a boy of fifteen — a promising young lad with a first-rate mind and sound disposition — and render him anaesthetised to worldly pursuits. The worlds of commerce and politics and sport are forever more left grey and drab to him. The gold stars of society no longer mean anything to him. He has glimpsed a world drenched in colour and he can not thrive without it. Over the years, he secretly feeds his addiction with scraps of poetry and ancient Persian treatises on Sufism. He devours literature with an unslakable thirst, searching, ever searching. He sees something he can not articulate in the way the sun sets behind lonely apartment complexes. Something beckons to him on the sea breeze as it blows through banyans in the hot afternoons. And something tightens in his chest every night as he watches the rising of the stars from the roof of his ancestral home. Everything he writes ends the same way: smeared with the half-remembered colours of forgotten love. Like waking from a dream and scrambling to put it all down before it’s lost to the aether; knowing it’s going, knowing it’s gone, knowing even as you begin to write that it’s useless and yet still grasping for another fix, you addict, happy in your addiction, wouldn’t trade it for the world because you’d rather your half-remembered colour than the grey, grey, grey of everyone and everything else…

There is a boy or a girl a thousand years hence on another planet who is reading all this, feeling all this. Here, Earth is merely a byword for an unspeakable nostalgia. I write to you — future-boy, future-girl — from your ancestral home. The colours are real. They exist. There is only one way to find them and there always has been. Good luck. Godspeed.

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Prose

Keenjhar Lake

The Ziauddin University Atlas Blog

Hasham Masood, M.B.B.S., Batch XVIII.jpgGharo, Sindh, Pakistan. PHOTO CREDITS: HASHAM MASOOD, M.B.B.S., BATCH XVIII

BY: SHAHZEB NAJAM, M.B.B.S., BATCH XVIII

If you sail far enough into the blue waters of Keenjhar Lake, you’ll see a small, stone structure rising up out of the waves. You disembark onto weather-beaten steps and climb up to a white, circular platform and in the centre, in eternal solitude, lie the graves of an ancient king and an ancient queen. You say a small prayer for the royal lovers — for all lovers, in all epochs, and for those who loved too much. Before you leave, your gaze lingers a moment longer on the setting sun and the wind-ruffled waters and you wonder why it feels like you’ve left something of yourself behind there with Noori and with Jam Tamachi and their thousand sunsets. Soon, the stars will rise. And I shall think of you.

About the author: Shahzeb…

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Poetry

Byronic heroes are people, too

For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have rest.

Lord Byron, So, we’ll go no more a roving

All these books in my library — lives lived

out, words spent, atria emptied of their 

blood. I see them and realise that I do not

have much time. But, like all the rest, I am

bound in webs of responsibility and class

and aspiration. A small cottage by the beach

with a well-stocked library and a fire in the

hearth where we could spend our evenings 

before the dark descends. And, perhaps, 

there is where I’ll have the time to ponder over

the mysteries of the Sufis. Why do the stars

call me so? Why does the sea, why do old

houses, and old books, and saudade call me so?

The dreams of another life… almost

forgotten… breaking on the shores of my

heart, and I… I frantic, searching among the 

ruins and the driftwood for a compass to guide 

me home. Home? The place I yearn for when I 

hear someone playing A minor softly, clear as 

a bell, through the sweet, sad sounds of static 

on old radios. In a short time, this will be a 

long, long time ago…

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